Short Take: “A psychological thriller with a brilliant twist you won’t see coming.” Challenge. Accepted.
I have yet another shocking confession to make (when did reviews become my own personal tell-all?? Anyway….): I read a lot of “psychological thrillers.” A. Lot. Like, people don’t like to watch mystery movies with me, because I can usually figure out the “big twist” about halfway through. Ok, ok, ok, in the interest of honesty, my “NAILED IT!! NAILED IT!! LOOK HOW SMART I AM!” song and dance might have a little something to do with that, but the point stands.
I can pretty much always see the twist coming. And although it might seem like a superpower to most normal people, this particular gift is also a bit of a curse, in that I tend to not be surprised nearly as often as I would like, and I think that cuts into a lot of the enjoyment that I would get from books and movies.
So, you can imagine my reaction when I saw the subtitle to The Sister, quoted above, but please, let me say it again: “A psychological thriller with a brilliant twist you won’t see coming.” That’s either a bit of marketing genius, or an act of hubris up there with Babe Ruth pointing out exactly where his next home run would land. Either way, with a target audience of people like me, Ms. Jensen made a gutsy move.
But did she pull it off?
Before I give the answer, I’ll explain a bit of the plot of the story (pffftt, and some people think writing suspense is hard!)
Grace’s life is finally getting back on track. After a childhood tragedy that robbed her of her parents, the disappearance and later death of her best friend Charlie, and a slew of other disturbing and depressing incidents throughout her childhood and teen years, she is living with her boyfriend Dan in a lovely little cottage, working in a job she loves, and is even starting to make a kind of peace with her past.
But then things start to unravel. When she tries to find Charlie’s father (something her friend always wanted to do but never managed), she instead meets Charlie’s half-sister Anna. In short order, Anna is living with Grace and Dan, becoming the best friend that Grace has needed since Charlie’s death. But when it seems that someone is stalking Grace, when Dan begins acting strangely, when the past starts colliding with the present, it becomes clear that Anna might not be who she says she is at all.
But Neeeeeerdddddd, I can hear all of you screaming in frustration. Did you figure out the “brilliant twist” or not?!?!?!
To which I would have to reply: which one?
Truthfully, the author has jammed so many twists into this book, that distinguishing one of them as the “brilliant” one is just not possible. A few of them, yes, I saw. Whether it was because they were a little obvious to draw attention from the BIG twist, I don’t know. I’m still not really clear on which twist was supposed to be the main one.
So to clarify a bit, hopefully without spoilers: Anna’s real identity, and the tragedy in her life that set everything in motion were both bits that I did not see coming. The latter event, however, like several others in The Sister, just felt gratuitous.
There were so many red herrings, and so many, many, MANY incidents of Grace being harassed, stalked, toyed with, drugged, poisoned, lied to, assaulted, threatened and so on and so on and so forth. What was at its heart a pretty good story turned into a stage show by an incompetent magician shouting “Look over there! Whatever could that be?!?!” while trying to pull an angry pigeon out of his sleeve. It’s cool when you see pigeon, but by the time you do, you’re pretty much over the show in general.
Grace was so frustratingly passive and meek and just plain stupid at times. Her method of coping with all of the above incidents is to wash a sleeping pill down with wine (seemingly several times a day) and wait for either the problem to go away, or for someone else to deal with it for her. Every time there was a big red flag being practically shoved up her nose, she grabbed her chemical security blanket and opted to ignore it. So it was hard to feel much of anything for her during the book’s final climax and Big Reveal Scene.
There’s also the fact that all of the people who cause the conflicts in the story really aren’t that close to Grace, and it doesn’t make much sense for her to be involved in, well, pretty much any of it. You could cut the character of Grace out pretty much entirely, let Charlie be alive and the main character of the story, and it would make a lot more sense.
So to sum it up: No, I didn’t see the “brilliant twist” coming. But it takes more than a good twist to make a good story.
The Nerd’s Rating: TWO HAPPY NEURONS (and some wine. A lot of wine.)