Short Take: Hello, Clarice. These are the Days of Your Life.
(*Note: I received a free copy of this book for review.*)
Once Gone is the first book in a series of thirteen (so far) starring FBI Agent Riley Paige, and as far as serial killer thrillers go, it’s pretty straightforward. Women are being killed, then mutilated and arranged to look like dolls. The investigation begins with Riley’s former partner, Bill, flying solo, and wishing that he had her brilliant mind to help on the case.
And why, you may be asking, is Riley, our ostensible heroine, not at the crime scene putting her extraordinarily intuitive mind to use? It’s because she is at home, not-recovering from a serious case of PTSD and major depression brought on by her previous case, in which she was held captive and tortured by a different serial killer.
Bill manages to get Riley back in the saddle, but she is definitely not OK. She is prone to horrific flashbacks, too much alcohol, and a need to prove herself that generally results in situations that cause more harm to her career. Meanwhile, more bodies are turning up, and Riley’s personal life is spiraling further out of control.
There is a lot to love about Once Gone. Mr. Pierce did a bang-up job in creating real characters in Riley and Bill, mainly by showing us what the people surrounding them are dealing with. Bill’s wife Maggie is fed up with his “marriage to the job” and is about to divorce him and take their two young sons with her. Riley’s fourteen-year-old daughter April is angry all the time and experimenting with drugs, torn up over her inability to help her mother heal. And of course, Riley herself is obsessed with bringing down a killer regardless of what it might cost her.
The pacing and structure are exceptional, with the story of Riley’s ordeal being dribbled out over time. Essentially, the first story (Riley’s previous case) is told last, which makes for quite the page-turner, and although Riley’s profiling abilities border on ESP levels, her conclusions read as logical, not ridiculous or over-the-top.
The problem is that for all the devotion to the main characters’ lives, the story that should be front and center (the doll-killer-dude) is shoved in around the edges, a paint-by-numbers police procedural. There are a few obvious red herrings, and the obligatory higher-ups who are pursuing their own career-driven agendas and inadvertently sabotaging the investigation.
What I’m saying, in my usual long-winded way, is that when you strip away the soap opera elements of Once Gone, you’re left with an episode of Law & Order SVU. Clues are gathered, leads are followed, bad guy is caught. It’s an OK story (I like SVU, personally), but I feel like the author could have done more with the actual investigation, or told us more about the killer. We get a couple of chapters from his perspective when he’s doing his serial-killing thing, but we’re never really inside his head in a way that makes him frightening. His motivations are rather clumsily spelled out in the final confrontation, but for most of the book, he’s just generic serial killer #15,487.
And of course, because Once Gone is the first in a series, it ends on a cliffhanger, which is where the personal-life-drama hit the “too much” mark for me. With easily three books’ worth of over the top situations heaped onto Riley in just the first book, the thought of a dozen more is plain exhausting.
The Nerd’s Rating: THREE HAPPY NEURONS (and a cozy supply closet, cause man, I could use a nap.)