Short Take: Frailty, thy name is woman!! (or not)
(*Note: I received an advance copy of this book for review.*)
Y’all, this is where I would usually say something catchy, followed by a super-clever segue into whatever I’m reviewing, but you know what? This book has left me with my mouth hanging open and my usual sparkling wit has left the building. It’s that freakin good. So… uh… let me just tell you about the book, k?
Malcolm Mercer has a Reputation. He’s known in the Chicago theater world for two things: making incredible art, and driving his cast members to nervous breakdowns. That’s not an exaggeration. He believes that in order to portray a character most effectively, the actor needs to feel the anger, pain, humiliation, or whatever other awful emotion the character feels, and if the actor doesn’t already have issues, Malcolm is more than happy to give them some.
His biggest supporter/enabler is Joanna Cuyler. Their relationship is… complicated. She’s obsessed with him, but they aren’t lovers. They are equal partners in the business, but he makes all the major decisions. They have a shared living space, but separate lives. It’s an intensely combustible situation, needing only the barest hint of a spark to explode.
She’s a cliche struggling actress when she auditions for Malcolm and Joanna, for the starring role in their upcoming production of Temper (more on that in a minute). But she’s also a deeply hurt and angry person, an expert at keeping people at arm’s length even while she’s seducing them, in making sure anyone who loves her hates her a little too.
In other words, she’s like catnip to Malcolm.
And when these three come together, it’s more like waves of boiling oil than sparks flying – sometimes unintended targets are hit, and the scalding burns just keep deepening. Each of them has their own ends, their own means, their own secrets, and their own detonation switches. Each of them wants to destroy and/or overpower at least one of the others. And I am wildly in love with all of them.
Our leading ladies, Joanna and Kira, are our narrators, and it’s definitely been a minute since I’ve been treated to such incendiary female voices. Ms. Fargo’s characters are perfectly imperfect, passionate even in the ugliest of ways, and so very real. Joanna, in particular, is an accurate (if stinging) reflection of the ways women frequently make unkind snap judgments of one another, and how wrong and hurtful those things usually are.
I would be remiss if I didn’t mention the unofficial fourth main character – the play itself. Temper, a two-person production about a toxic marriage, is a debut work by a playwright nobody’s heard of. Its scenes of raw vitriol are a catalyst and a catharsis for all three of them, their own most deeply buried impulses on display for the world to see.
And oh, my darling nerdlings, what an incredible ride it is. These beautiful, passionate, talented people are stripped down to their ugliest, most primal core, raging against the man pulling the strings even as they are destroying themselves to win his approval.
I still don’t have anything clever to say. Just read this one.
The Nerd’s Rating: FIVE HAPPY NEURONS (and a ticket to my local community theater, cause hoo boy, I’m craving some drama right now!)